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Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
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Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
Complete String Quartets Collection | Classical Music for Ensembles & Performances | Perfect for Concerts, Recitals & Music Lovers
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Description
Bla Bartk, born in 1881, is considered by many to be the greatest Hungarian composer as well as one of the most significant musical voices of the 20th century. Self-taught and originally trained as a pianist, he combined elements of his homelands traditional folk music with the influences of his contemporaries to produce a highly distinctive, immediately recognisable style. Bartoks six string quartets, to which this 2CD compilation is dedicated, represent a milestone in the history of the genre and provide a unique insight into the way the composers musical language developed over four decades. Its a fascinating stylistic journey, beginning with the First Quartet of 1907 a work very much in the shadow of late Beethoven. Moving onto the Second (1917), written during a period of intense musical isolation, we encounter the influences of Strauss, Debussy and late Schoenberg before being subjected to the full-scale expressionism of the Third and Fourth Quartets (1927 and 1928 respectively). The Fifth, composed six years later, adopts a five-movement arch-like structure and is a strong contrast to the Sixth and final Quartet of 1938: deeply reflective and pessimistic in tone, this was to be Bartoks last work before fleeing to the US to escape the spectre of fascist Europe. Together with driving rhythms, sharp dissonances and even quarter tones, this cycle presents a huge challenge musically and technically to even the most accomplished quartets. The Guarneri, however, is on fine form here and delivers a first-rate performance brimming with character. A gem of a recording.
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Reviews
*****
Verified Buyer
5
This isn't the "definitive" recording of the Bartok quartets -- I've collected dozens of recordings from the '40s up through the present day and I don't know that I've encountered the ideal version. (Maybe the first Takacs recording from the 1980s, on Hungarotron.) But the Guarneri Quartet's reading is certainly the most idiosyncratic. As Zappa would say, they really "put the eyebrows on" the music -- the whole recording is full of strangely chosen little details that, for anyone familiar with the quartets, make the Guarneri's interpretation consistently surprising. Someone with professional experience might find some of their choices inappropriate or downright wrong -- I couldn't say. But for this listener, it's up there with the Emerson, the first Takacs, and the 1950 mono Juilliard (and probably the recent Euclid) as an essential version of these quartets. However, whoever mastered these tapes for CD release wasn't paying much attention -- at one point, there's an analog tape warble of such violence that it momentarily throws you out of the music. (Don't worry, you can't miss it, although the record label clearly did.) Even so, a great recording.

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