This isn't the "definitive" recording of the Bartok quartets -- I've collected dozens of recordings from the '40s up through the present day and I don't know that I've encountered the ideal version. (Maybe the first Takacs recording from the 1980s, on Hungarotron.) But the Guarneri Quartet's reading is certainly the most idiosyncratic. As Zappa would say, they really "put the eyebrows on" the music -- the whole recording is full of strangely chosen little details that, for anyone familiar with the quartets, make the Guarneri's interpretation consistently surprising. Someone with professional experience might find some of their choices inappropriate or downright wrong -- I couldn't say. But for this listener, it's up there with the Emerson, the first Takacs, and the 1950 mono Juilliard (and probably the recent Euclid) as an essential version of these quartets. However, whoever mastered these tapes for CD release wasn't paying much attention -- at one point, there's an analog tape warble of such violence that it momentarily throws you out of the music. (Don't worry, you can't miss it, although the record label clearly did.) Even so, a great recording.